New Music of 2016 ~ This is What I Found

Some years, I list favorite albums. Some years it’s favorite cuts. This year, I’m all over the map, but so is the landscape of music – and in my opinion, that’s kind of how it should be.

Here’s some of the new music I discovered last year … and how (<– literally as well as figuratively, kids! Let’s learn the difference in 2017).

Nathaniel Rateliff and the Night Sweats

The self-titled album making the rounds on pop and alternative radio now was actually released in 2015, but Nathaniel Rateliff and the Night Sweats also released A Little Something More From Nathaniel Rateliff & The Night Sweats in 2016, plus two singles from the original album: Wasting Time and I Need Never Get Old.

These guys haven’t been together that long, but they’re polished aF. Talk about picking your roster…I love them and they’re on the top of my list to check out live. Take note, Ben.

Below is my favorite track, Howling at Nothing.


The first K. Flay single that caught my ear was Can’t Sleep, released in 2014. But the artist has actually released four EPs and 10 singles in six years, including Crush Me and its lead single, this year’s Blood in the Cut.

Note: I knew nothing about K. Flay before I heard that first tune, and continued to know-not-much other than her sound for a long time. For this reason, I think she’s a great example of a voice that permeates without a lot of branding fanfare; I only recently looked up more information as I discovered more of her music. She’s still the coolest, and I’m loving her vibe.

A Tribe Called Quest

Soon after seeing Tribe’s reunion performance on SNL — albeit sans long-time member MC Phife Dawg — I bought the full album We Got It From Here… Thank You 4 Your Service, released in November 2016. Full disclosure: I’d just gotten an iTunes gift card for my birthday (Thanks Jon), so the timing was right. But I’m very happy with my purchase. The timing of this release could not have been better, given the climate in the U.S. right now… not to mention this is a solid album from start to finish. Stand-out tracks for me include We the People (my new anthem), Kids and The Space Program.

 The Avalanches

I think the first time I heard these guys and their new album, Wildflower, was via one of my local radio stations, WEQX. – the same goes for K. Flay. The Avalanches are catchy, bizarre, and samply… I  describe their lead track Frank Sinatra (below) as Squirrel Nut Zippers meet Gorillaz.

Kennedy Center Gets Stapled


Mavis Staples (jcs) 2008

Mavis Staples, a ‘freedom singer’ during the Civil Rights Movement, was recognized by the Kennedy Center Honors this week, along with James Taylor, Al Pacino, Argentine pianist Martha Argerich, and The Eagles.

Staples often performed with or for Dr. Martin Luther King. I was able to see her perform in 2008 at the Green River Festival; In addition to a great set, she told stories about King, her father Pops Staples, and experiences with segregation in her childhood. The audience hung on her every word.


Time to ’86 the Playlist

First off, the topic of this post was totally stolen from inspired by Geek Salad Radio, which just released a top songs of 1986 podcast. That said…

It’s been 30 years since songs like Hip to be Square and Danger Zone graced our airwaves, and as such, a great topic for a weekly list has just been born. It also dawned on me as I researched that this is a great way to reconnect with some favorite albums and tunes… albeit, there was a lot of crap in ’86, including a surprising amount of awful albums by great bands. It kept happening — I’d be scanning the list of albums released in 1986 and see Queen! or Lou Reed! or The Cure! — and their terrible, terrible output that year.

But there was also some good stuff*, including several movie soundtracks, so read on for my top picks and check out GSR episode 124 for their full trip down lack-of-memory lane.

The Boy in the Bubble and the Baby with the Baboon Heart


Graceland, Paul Simon

Graceland was one of the first albums (in cassette form) that my parents and I genuinely enjoyed together. It’s chock-full of great tracks: Boy in the Bubble, You Can Call Me Al, Under African Skies, Diamonds on the Soles of Her Shoes… great road-trip album.

Fun Fact: It’s on the National Recording Registry, having met the Registry’s admission criterion of being “culturally, historically, or aesthetically important.”


When You’re Born to Run, It’s So Hard to Just Slow Down

Back in the High Life Again, Steve Winwood

I’m pretty sure my sister introduced me to this album at a time in my life when she, as a hip college student, could do no wrong in my eyes. Its title track is actually on my list of top songs of all time, though. What can I say? This was an era of soft synth-rock and trench coats with big shoulder pads. It’s a great album, I have some cool memories attached to it, and dammit, I love it. It’s also great for cooking dinner to, for some reason. Also includes: The Finer Things, Freedom Overspill, and Higher Love.

Fun Fact: James Taylor is singing back-up on Back in the High Life Again.


Jockin’ Mike D To My Dismay

Licensed to Ill, Beastie Boys

I love me some Beastie Boys, and this is by no means a charity inclusion just because they released an album in ’86. Licensed to Ill is easily in my top three BB albums, and includes Brass Monkey, Fight for your Right, No Sleep till Brooklyn, and Girls.

Fun Fact: This album was certified diamond a year ago.


There’s Only Two Songs in Me, and I Just Wrote the Third

They Might be Giants, They Might be Giants

This album is essential listening for any aspiring alterna-nerd of the new generation! It never charted, but has 18 (count ’em) great tracks to choose from. Don’t Let’s Start, Absolutely Bill’s Mood, Number Three, and a recently revived fave in our house: Toddler Hiway.

Fun Fact: There’s a free download of the 2013 live version of this album at Noisetrade.


Coming Up Close

Welcome Home, ’til tuesday

This isn’t the Voices Carry album — that’s Voices Carry –but overall, it’s the better album. It has What About Love, Coming Up Close, and No-one is Watching you Now. It’s also on this list because Aimee Mann.

Fun Fact: Not long after Welcome Home was released, Mann guested with Rush on the song Time Stand Still, which went to No. 3 on the Billboard rock chart.

This is the World We Live In

Invisible Touch, Genesis

It’s not so much that I am a huge Genesis fan, but this album has one of my favorite songs (and videos) on it — Land of Confusion — as well as plenty of supporting acts; In Too Deep, Throwing it All Away, and Tonight, Tonight, Tonight among them. All solid terrestrial car radio choices.

Fun Fact: The Land of Confusion video was nominated for Mtv Video of the Year, but lost to former Genesis vocalist Peter Gabriel’s vid for Sledgehammer.


I’ve Learned My Lesson Well

True Blue, Madonna

I mean, come on. This was the height of Madonna’s career. All five singles reached the top five of the Billboard chart. It marked the first — first! — time Madonna entered the Guinness Book of World Records, as the top-selling artist of 1986. It includes Live to Tell, La Isla Bonita, Papa Don’t Preach, and Open Your Heart.

Fun Fact: It’s dedicated to Sean Penn. 


Good Times, For a Change

Pretty in Pink soundtrack

Disclaimer: I once made my own version of the Pretty in Pink soundtrack, complete with quote-soundbites, because the official version lacks some of the best music from the movie. The Rave-ups, for instance, are the band in the club Andie takes Blaine to on their first date and have not one but two great songs in the film that are left out in favor of Get to Know Ya by Jesse Johnson and Wouldn’t it be Good by The Danny Hutton Hitters. That said, there are still some winners on the original: Shellshock by New Order, Left of Center by Suzanne Vega and Joe Jackson, and Please, Please, Please Let Me Get What I Want by The Smiths. The latter’s absence would’ve been ok though, given that the song is in every John Hughes movie ever made and therefore readily available.

Fun Fact: Hughes changed the ending when the first attempt failed with test audiences, and the Psychedelic Furs wrote and recorded If You Leave to match the new ending in 24 hours.


Take You to My Castle Far Away

Solitude/Solitaire, Peter Cetera

I’m afraid I might lose friends or followers with this choice, but I can’t deny my love for that Cetera falsetto. It includes Next Time I Fall, a duet with Amy Grant and easily the best song she ever recorded, and there’s a Movie Alert again: Glory of Love is on this one, made famous by the equally saccharine Karate Kid II. Points for the album title, which is clearly a jab at the remaining members of Chicago, but minus one point for not being able to settle on one noun to illustrate the sentiment.

Fun Fact(s): Glory of Love was co-written by Cetera and producer David Foster. Depending on your age or media proclivities, he’s best known for: composing the St. Elmo’s Fire score, serving as chairman of Verve records, or being step-dad to both Gigi and Bella Hadid and Brandon and Brody Jenner.

So, what are your faves from the eight-six? Any on here you agree with — or disagree? Chime in.

* ~ ‘best of’ compilations and live albums have been omitted from my choices.