Revised and Revisited: Golden Leaf Ragtime Blues Takes the Stage in a New Form

Playwright Charles Smith’s play, first written in 1992, reworked for Shakespeare & Company

With a script that’s been revisited and deepened by the playwright 30 years after it was first published, Shakespeare & Company presents Golden Leaf Ragtime Blues by Charles Smith, at the Elayne P. Bernstein Theatre through October 30.

Directed by Raz Golden, Golden Leaf Ragtime Blues takes place over the course of one afternoon in the early 1990s, post-LA Riots, and explores the unusual connection between a Black teenager and an aging Jewish vaudevillian through comedy and music.

It was originally written in 1992, developed by the American Blues Theatre Company of Chicago, Ill., and the HBO New Writers Workshop – however, Smith has reworked the script just this year, and Golden Leaf Ragtime Blues will be presented in its current form for the first time at Shakespeare & Company.

“The idea of revisiting a play I wrote 30 years ago was absolutely terrifying,” said Smith. “My first take was thinking I can’t rewrite this because I am such a different person than I was back then. But after a while, I started thinking, ‘why don’t I embrace who I am today, and look at the play from an objective point of view?”

A Distinguished Professor of Theatre at Ohio University, Smith said he began to treat himself like his own pupil.

“I’ve worked with a number of young writers, so I gave myself the notes I would give to a young writer. The result is something I’m delighted with – and what I consider a new play.”

Golden agreed, calling the production “more of an ensemble piece.”

“There is more reflection on the psyche, and more examination of how the political world can affect how we connect with others,” he said. “In the background is the political reality of that time, but purposefully foregrounded are the smaller scale experiences of four people.”

Golden Leaf Ragtime Blues will be staged through October 30 at the Elayne P. Bernstein Theatre at Shakespeare & Company. Performances will be held at 2 p.m. and 7:30 p.m., with select, mask-required performances held weekly. Tickets range in price from $22 to $62. The cast includes:

Glenn Barrett, Pompey

Barrett has been performing on stages in the Berkshires, New York, Connecticut, and abroad since 1969, including in New York at La Mama ETC., The Manhattan Theater Club, and in the New York Shakespeare Festival Tony Award-winning revival of Threepenny Opera. Regionally, he’s performed with Longwharf Theatre, Riggs Theatre 37, Pittsfield Shakespeare in the Park, Great Barrington Public Theatre, Berkshire Theatre Festival, Walking the Dog Theatre, Mixed Company, and Barrington Stage. He is a founding member of The Berkshire Public Theatre.

Kristen Moriarty, Marsha

Moriarty began her actor training with Shakespeare & Company in 2011 just before obtaining her MFA. She began her Teacher Trainee journey in 2017 and joined the Center for Actor Training teaching faculty in 2022. She has performed in several roles at Shakespeare & Company, including as Jean Hatch (White Savior), Mrs. Reynolds (The Wickhams: Christmas at Pemberly), Provost / Mariana (Measure for Measure), Miss Bates (Emma), and Olive (The Norwegians). She is a Center for Actor Training Teaching Faculty member, and Manager of Individual Giving for Shakespeare & Company. In Chicago, Moriarty has appeared at the Vitalist Theatre (contributing artist), Lifeline Theatre, Greasy Joan & Co., Emerald City Theatre, and Attic Playhouse; Regionally, with Elsewhere Shakespeare, Montana Repertory Theatre, Montana Actors Theatre, Classic Theatre Co., Tacoma Little Theatre, Toy Boat Theatre, and Philipsburg Theatre. She holds an MFA in Acting from the University of Montana and a BFA in Acting/Dance from Adelphi University.

Kevin G. Coleman, Ollie

Coleman is a founding member of Shakespeare & Company and its Director of Education. He works in the Performance and Training departments as an actor, teacher, and director, and has been a guest teacher or director at MIT, Harvard, L.S.U., Stanford, Shenandoah Shakespeare, Q.U.T.- Brisbane, Lincoln Center, the Folger Library, Shakespeare Festivals in both Stratfords, and the Mercury Theatre in Colchester, U.K. He is the Theater Director at the Austen Riggs Center, where he has directed more than 30 productions. In 2016, he was Runner-up for the Tony Award for Excellence in Theatre Education. Along with Patrick Toole, Coleman recently produced the film Speak What We Feel, documenting the Fall Festival of Shakespeare.

Logan Slater, Jet

Logan Slater was born in Los Angeles, Calif., and began in the performing arts as a child, singing with the Hillcrest Christian School choir. After graduating from California State University, Northridge with a degree in film production, he decided to further his studies; but this time, focusing on acting. Slater has studied with Carl Ford, Lesly Kahn, and Gregory Berger-Sobeck, and is an alumnus of 2020’s Month-long Intensive at Shakespeare & Company. Some of his recent roles include playing Jeff in You Have a Visitor, which won Best Horror and Best Cinematography at the Los Angeles Film Awards, and Troy Boy in Home Soon, an official selection at the San Francisco Black Film Festival. Recently, Slater completed courses at Magdalen College, Oxford University where he continued to deepen his skills as an actor with the British American Dramatic Academy (BADA).

For more information, visit or call the Box Office at 413.637.3353.

Hilltown Families Hand-made Valentine Swap, part 2: The Spoils!

We crafted, packaged, and mailed our own creations, and in turn received the greetings below! Thanks again Hilltown Families!

Currently catching light in the picture window…
She loved that it was a “real letter!”
Props to Bodhi for bugs and kisses and for great name-writing!
Pretty stained-glass effect on this one…
Love the waterfall of hearts ♥️
Strong pipe cleaner crafting!!
Happy Heart Day!
Unconventional color use FTW!

Six Months and Counting: Let’s all admit it’s bad TV getting us through

To paraphrase Bare Naked Ladies, it’s been … six months of self-quarantine.

On March 13, I was officially sent home along with other remaining co-workers to work remotely for an undetermined period of time.

One-hundred-eighty-four days later, I’m still here, and spiced up the day-to-day grind with a convenient trimalleolar fracture in July that, thus far, has required two surgeries. So, due to ever-changing guidelines that affect me working on-site at my job plus this whole no-mobility thing, I’ll be working and convalescing from home for a little bit longer. Remote schooling starts tomorrow for my daughter, too; our living-room looks like a Wayfair Call Center.

But, I’m not here to blog about the trials of 2020; we are all well acquainted at this point. Rather, I’m here to talk about 90 Day Fiance.

90DF — that’s what those of us who are too deep to get out call it — has been around for a while, but it was only this year that I finally dove in to what I previously thought was ‘too trashy’ a show for my liking. Seven seasons later, I’ve met every couple to ever K-1 their way on to the show, kept up with the countless spin-offs, downloaded at least five different podcasts dedicated to the franchise, and started making 90DF-specific crafts to share with my new, anonymous 90-Day friends on Reddit. There was also a nine-hour leak of tell-all footage floating around at one time … or so I heard.

My point here is this is not just a show to pass the time; it’s a whole lifestyle that includes home decor, should you choose to go that route. Etsy has a massive selection, ranging from wine glasses to wall art. Need a date night? 90-Day ideas — sometimes uncensored — aren’t hard to find. And cast-member David Toborowsky is often only a Tweet away, should you find the need to connect with someone (seriously, this guy is nothing if not responsive).

Looking for good listens? Here are my top five podcasts of the 90DF Variety:

1 90 Day Cray Cray

2 90 Day Gays

3 420 Fiance

4 The Fraudcast

5 90 Day Fiance Trash Talk

90DF ‘I can tote it’ mask via RedBubble