Emmys Style Wrap-up 2015

Chartreuse is the new black, but black is still all right.

The Emmys have wrapped, awards season is here, the 2015 fall television has begun, and it’s time for my traditional wrap-up post of my favorite Emmy looks.

This year there was some wacky stuff happening on the red carpet, so thanks for that, TV stars and moguls. The big style directive seemed to be ‘wear black; or instead, don every color discernible to the human eye –or chartreuse, which amounts to the same thing as far as effect on the retina.’

Screen Shot 2015-09-21 at 10.11.10 PMBut there were also countless Grammy-awards-level splashes of florals, stripes, mixed fabrics, seventies throwbacks, and serious hardware…Kerry Washington in mesh. Regina King in some very stiff sequins. Claire Danes in chains.

All in all, it made for exciting dress-peeping. Except, why is that promtastic off-the-shoulders sleeve back in style? Blegh. It looks like sausage casing on even the most willowy of actresses and in general I’m not a fan.

image1That said, here were the style stand-outs for me, with only the briefest of defenses for each.

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The first ensemble to catch my eye was Jamie Lee Curtis’ long sleeved black number by Stella McCartney, paired with a filigree cuff by Cathy Waterman. Next, Kiernan Shipka in a yellow patterned top and leggings by Dior. This look got mixed reviews but I thought it was cute and age appropriate; Ariel Winter, proving structure works in a geometrically cut red Romona Kevesa;  Zoe Kasan in striped Miu Miu — I’m a sucker for prints when worn right, even if this dress was a tad casual — and Ellie Klemper in Naeem Khan. Christina Hendricks got more attention for her Khan, but I thought the colors, pattern, and metallic sheen gave Ellie the edge.

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Finally, Alan Cumming wore my favorite menswear look, arriving looking Chaplinesque.

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Share your own favorites in the comments!

Emmy Noms: So Delicious

I pored over this year’s Emmy Nominations list when it was released last week with my usual zeal for both awards shows and lists.

What I saw were many signs of life in the creative arm of the entertainment industry: renewed battles between veterans and newcomers, multiple nominations among actors, writers, and directors, and recognizable names in all sorts of categories, from cinematography to choreography, to name a few.

Regarding the latter, let’s start with Writing for a Variety Series: Fred Armisen and former Sleater-Kinney rocker Carrie Brownstein for the win, anyone? There’s also an oddly celebrified Voice-over Performance Category; Seth MacFarlane and Seth Green go without saying here, but Sam Elliott and Lily Tomlin? The playing field has widened.

I love the new and still-evolving award categories, too, like Best Interactive Program. While I think those at the helm of said programs need to put a little more work into the titles — Game Of Thrones Season Three Enhanced Digital Experience is kind of a mouthful — the fact that they even exist is a nod and-a-half to the power of social media. Holla.

Then there are the categories that probably aren’t new, but are no less intriguing to me in today’s fast-paced media climate. They stand out as growing pains. I can’t help but wonder: does there really need to be a category for Documentary or Nonfiction Series, Documentary or Nonfiction Special, and an Informational Series or Special? I gather that ‘Informational Series’ is geared more toward educational or awareness material, but it still makes me think of George Carlin’s Flammable-Inflammable Rant.

Special Visual Effects in a Supporting Role confuses me too. Is it the effects we’re talking about here? Or special effects surrounding one character, like Barnabas Collins of Dark Shadows? The nominees in this category don’t help me, either. Two are for pilots and four are for shows on premium channels that I don’t get. I honestly didn’t even know Starz still existed but way to go, Da Vinci’s Demons.

Circling back to the stars and the shows they’re on, though, because hey — they’re fun — there are a slew of people to root for. I, of course, focus on the shows that I follow and by no means is that an exhaustive treatment of what’s on t.v. today. That said, I do have a few favorites:

Best Drama Series

While I watch both Mad Men and Breaking Bad, and both had amazing seasons, I have to give this year to Walter White and Company. The writers started with a high school chemistry teacher and will ultimately end with a character of whom any reasonably minded human is terrified. Recognize.

Actress in a Drama

I want Elisabeth Moss to take the Emmy home; Peggy Olson is the glue that holds the Mad house together. That said, I don’t think she will. I watched Robin Wright in House of Cards and Vera Farmiga in Bates Motel, and if I had to choose between the three I’d take Farmiga for the knock-out, but I also think Wright has the critics’ support.

Actor in a Comedy
Jason Bateman stands out in this category for me not just because I really want him to win — call it Sympathy for Nichael Bluth — but also because he’s surrounded by a flock of award-winners. Give the little guy a chance.

Supporting Actress in a Comedy
The supporting categories are more interesting to me than the Lead noms most years, and especially this year. These are the character players. The funny women after my own heart. The sauce.

Vying for the nostalgia vote are former child stars Mayim Bialik (The Big Bang Theory) and Anna Chlumsky (Veep), joined by now-seasoned comedy veterans Jane Lynch (Glee), Sofia Vergara (Modern Family), Jane Krakowski (30 Rock), and Julie Bowen (Modern Family). Merritt Wever (Nurse Jackie) is my top candidate. Her portrayal of the warm-hearted, socially awkward, professionally adept Nurse Zoe is one of the best performances on television in its nuances alone.

Guest Actor in a Drama

I Tweeted earlier in the year that I though Harry Hamlin’s turn as the latest partner at Sterling Coop was his best, and apparently, the critics agree.

Guest Actress in a Drama

Many of us didn’t know whether to cheer or shed a tear when we saw Linda Cardellini, our beloved Freaks and Geeks Lindsay, getting all Betty Rubble Cray Cray on Mad Men. With an award at hand, now we can just cheer. Ironically, of course.

My ultimate favorite in this category has to go to two-time nominee Joan Cusack as agoraphobic Sheila on Shameless, though. No one can play a house-bound housewife with a sex-toy fetish like Joan Cusack. And I mean that as a compliment.

Honorable Mentions

  • Anthony Bourdain is nominated for three — three — Emmys. I’m beginning to think I should add ‘win an Emmy’ to my bucket list. Apparently it’s more attainable than I previously thought*.
  • Christina Hendricks, you have some tough competition. But I want this be your year. And so does Johnny Walker.
  • Liz & Dick managed to squeak an Emmy nom under its belt before fading into obscurity: for hairstyling.
  • There’s all sorts of buzz around the Netflix-based nominees this year, but FunnyorDie.com? For the Emmy? That’s progress.
  • Rory Kennedy is nominated for Direction of a documentary about her mother, Ethel.
  • Betty White.

The Lifetime Achievement Award goes to:

The Simpsons on its Emmy nom for Treehouse of Horror: XXIII.

Final Thoughts

It’s true that the fame-names drew me into further discovery of those lesser-known categories. But the categories themselves kept me looking, and hopefully there are future writers, composers, editors and producers out there doing the same… the opportunities are only growing.

* I kid. He’s actually a multiple Emmy winner. I just wanted to dish it out.